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Part thirteen of our monthly series of exerpts from Brian's forthcoming book.

A & R      


A&R means Artists and Repertoire. Should you sign with a conventionally structured label, that process is likely to be steered by either the A&R person who "discovered" you or their superior. In all likelihood, the A&R department will continue to be your first and most frequent communication contact within the structure of the label, with the exception of those times when marketing, publicity and promotion campaigns facilitate closer contact with those departments.
So, before you sign anything, consider that, up to and including the signing date, everyone has likely been on their best behaviour. The label wants to impress you with projections of success through all the hard work and resources they are prepared to devote to you. You want to impress them with how skilful and worthy you are. So what will happen when the inevitable speed bumps show up and situations become specifically intense?

Brian Allen of AMPLUS

The first thing to establish before you sign is how well they can speak your language and articulate messages, and how well they functionally interact with you. Do they make you feel confident that they understand an artist's perspective and challenges? At the same time, you have to get out of your skin enough to understand what drives and motivates labels, and accept that you are agreeing to partner with them to mutual benefit. There will be very specific expectations, spoken or unspoken, residing within both parties. Unspoken expectations can lead to a mountain of troubles. Communication is the conduit to understanding, and fluid communication is the lubrication of progress.

"We are masters of the unsaid words, but slaves of those we let slip out" - Winston Churchill

Imagine you are listening to a mix in the studio and your trusted A&R rep says "I can't put my finger on it, but it doesn't sound good to me". That sort of comment is not going to help you understand their perspective or they yours, and it certainly won't allow you to effectively pursue remedies while an expensive studio clock is ticking.

Before you sign that agreement, ask some testing questions in the honeymoon phase that will reveal their (and your) ability to communicate effectively going forward. Ask their opinion on specific musical parts within song arrangements. Ask them to describe elements of their favourite productions and the effect on a listener's perceptions. Ask them what sort of production style they envision for you. Ask them what they think are your most recognizable musical descriptors. And most importantly, ask them to define the level of success they expect from you. Go deep, but don't expect perfection. Your gut feeling will tell you if the level of communication is functional or dysfunctional.

The reputation of a label is what attracts you to them, but the actual people who work there will execute the actions that build you or bury you.



Brian Allen has a wealth of experience in the industry as a songwriter, guitar player, producer, as well as enjoying 15 years heading up the A&R department at Attic Records. He knows what it takes to be a winner in this industry, in mind, spirit and in talent. He has over 10 million in career sales notched on his belt and will be offering up his insight once a month, as a feature contributor to Songbridge, with excerpts from his forthcoming book.
For more info on AMPLUS Productions, contact Brian at brianallen@rogers.com

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