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 The Timing of Releases                 by Jana Reid
 

The artwork for your latest CD has been completed, your finished master is off to the pressing plant and you're pondering what your first single should be. You know you need a solid plan to garner some radio support and a buzz behind your project.

Of course I would recommend you hire a professional tracker or radio promoter which means you must budget $1500 to $2500 per single. For an indie artist the life span of a single is about 20 weeks, more if you are established and less if you're up against a similar, well known artist releasing at that time.

Currently we have a number of tunes at radio which means I follow the charts and receive reports from various PD's which reminded me about the all important TIMING of releases, but more on that in a bit.

Here's how it works at radio.

Every week at every station they hold a "music meeting", where the MD/PD and his lead staff listen to the past week's, CD submissions and they decide who they will play and who they won't play. I've never actually sat in on one of these meetings but I have been told, they will play their current hits against your submissions and if your production is of lesser quality you've lost your chance. Stations aren't out to persecute you, they simply must maintain a quality standard. If they like you (you fit their format, production standards) they will start playing you or, they bring your CD back to next weeks music meeting. As mentioned in previous articles, stations have 1 maybe 2 new adds per week max, so if they received 10 new CDs that week your chances are greatly reduced, and there is not guarantee they will add you at all. You must also detail what song you are submitting as your first single. I did a radio show for a year and was surprised at the number of CD's sent in with no bio, no cover letter no contact info or even a mention of what the requested single was. What are they thinking…???

In order to climb to the top of the charts your single MUST be picked up by the BDS stations and be put on HIGH rotation. Nielsen BDS information is utilized exclusively by Billboard, Billboard Radio Monitor and the Canadian Music Network in determining their radio airplay music charts.

As a management and label, we used to send singles out to the BDS stations first, and give them a week before we sent it out the rest of the stations. This way, when the smaller or non BDS stations see your single getting play on a BDS station they are more inclined to add your song to their play list. It takes several weeks from mail out (or digital relay) to finally receive play results. Some stations will bring your CD back to 3 music meetings all the while watching what the other stations are doing, before making their decision. Trackers are truly invaluable at this crucial period, as they have a relationship with the Program Directors, they know when the music meetings are held and generally call that afternoon or the next morning to find out if you have been added and talk you up. Trackers then send you a weekly report of what stations are adding you, and what kind of rotation they offer (light, medium or heavy) or if they took a pass on it and why. All of which is important information.

Another item to consider regarding the timing is the number of stations who pick you up within a certain time period. For instance, if you decided that you would send out your single to a few stations and get their feed back and they went ahead and picked it up AND these stations happened to be BDS stations then your song appears on everyone's radar that week. So you call them in a couple of weeks, see if they liked it, and you find out its already charting you are in big trouble. You begin to scramble to send it out to all the other stations, but it's almost too late. Why? Well what happens is, you appear on the charted at #67 ( you had 2 major stations) on May 30th then nothing happens for weeks… it doesn't move… so when the other stations get your disc on June 21st they are not inclined to add you because you've been sitting on the charts at 67 for three weeks. It is imperative you get your product out to radio consistently within a short time frame. 1 week BDS the next week the rest of the stations… take boxes and boxes of addressed bubble packs to the post office and get it done! Our post office was great and it was never a problem.

Although, I will add, about 1 third of the discs never arrived at their destination and we used to get calls from stations wondering why they didn't get a copy of the current single (so maybe the post office did mind!)

More next week on when and when NOT to send to radio.

Jana

 
 

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